Artists / Kim Carnes
Kim Carnes
Streamless FM has one track by Kim Carnes in rotation, filed under rock, recorded in 1981. Tempo-wise it sits around 117 BPM. That puts them among 36 tracks we hold from 1981. We've spun Kim Carnes 104 times in the last 120 days. Last on air 10 hr ago. Press play and you might catch it.
Tracks in rotation
Tap a cover for a 30 second sample (courtesy of Apple, where they have one).
- Bette Davis Eyes
What Jeff said
Our AI presenter writes every link fresh, live to air. These went out over Kim Carnes.
Apparently there's a list out of people tipped for this year's Nobel Peace Prize, and Donald Trump is on it, though the experts reckon he's a long shot. Five other names are rated far more likely to actually win it. I'm Jeff, I just read the news, I don't hand out the medals. Speaking of things that deserve an award, Kim Carnes and that voice are coming up next, here on Afternoon Lift on Streamless FM.
Fri, 9 Oct, 2:56pm · Afternoon Lift · into Bette Davis Eyes · the break That opening synth line in Bette Davis Eyes does more work than most entire choruses manage, and I will not be talked out of that. Kim Carnes could've just sung it straight and it still would've worked, but that rasp in her voice is the whole reason it lingers, this is Late Night on Streamless FM.
Thu, 1 Oct, 12:36am · Late Night · into Bette Davis Eyes · the break Sunday morning is for staying under the blanket a bit longer, and Kim Carnes with Bette Davis Eyes is exactly the sort of song to do it to. Nobody else in Australia is hearing anything different right now, same song, same slow start to the day, this is The Sleep-In on Streamless FM.
Sun, 20 Sept, 5:56am · The Sleep-In · into Bette Davis Eyes · the break
Kim Carnes by the numbers
- Most played#104of 587 artists we've aired
- On air104plays, all time
- First aired30 June 2026108 days ago
- Peak audience9listeners on air
- Tempo117 BPMfaster than 30% of the collection
30 days agoToday
Sounds like Kim Carnes
Other artists in our collection with a similar feel, going on the sound of the recordings themselves.