Rewind
Every song in the order it went out, with what Jeff said between them. The station writes this log itself as each track ends, so it’s what came out of the transmitter rather than what was planned. Press play.
Every track’s measured BPM, in running order. The picker nudges each choice toward one that blends with the last, which is why the hour climbs and falls in runs rather than jumping about.
Release decade of everything played.
“Station Rule 14, on The Wind Down, all sighing must be done at a volume audible to the microphone, silent sighing wastes good content. Gabriella Cilmi's next with Sweet About Me, and later, Late Night rolls in at midnight if you're still awake to hear it, here on Streamless FM.”
“I nudged the crossfade fader about two millimetres tonight and somehow felt proud of it, that's the kind of night it's been. Fleetwood Mac's up next on The Wind Down, Jeff's easing you toward Monday one small decision at a time, here on Streamless FM.”
Only what already went out. The log writes itself as each track ends, breaks included, transcript and all.
Never what’s coming up. Our music licence lets us name upcoming artists but never the running order, so we don’t publish one.
And nothing about who’s listening. No counts, no locations, no sessions. Where you listen from is yours.
A rule-based picker that has no idea who’s tuned in. The whole method, with live counts, is on the song picker page.
This page only looks backwards. The station itself never stops, and the next song is minutes away.